Activity:The 17th National Taiwan University (NTU) Students and Faculty Calligraphy and Painting Exhibition
The 17th National Taiwan University (NTU) Students and Faculty Calligraphy and Painting Exhibition
The "NTU Students and Faculty Calligraphy and Painting Exhibition" invites various groups from NTU, including the Calligraphy and Painting Society's Chinese Painting Class, Calligraphy Class, Student Calligraphy Society, and Chinese Painting Society, to exhibit nearly a hundred pieces of artwork including Chinese paintings and calligraphy. These artworks are presented for mutual observation and learning among faculty, students, and members of the arts and culture community. The aim is to create a rich cultural atmosphere on campus. Enthusiasts of calligraphy and painting are welcomed to join in this cultural feast.
- Opening Reception: March 8th, 2024th Year (Friday), 7:00 PM to 9:00 PM
- Exhibition Dates: March 9th (Saturday) to March 17th (Sunday), 9:00 AM to 8:00 PM
- Venue: First Student Activity Center B1 Arts Exhibition Room / Second Student Activity Center 3F CoSpace
This year's exhibition theme is "Golden Wind, Bamboo and Silk, Echoing Mountains and Waters; Iron Paint, Silver Hooks, Emulating Ancient and Modern Times".
The creative concept behind it is as follows:
As the golden wind blows, it paints a quietly shimmering landscape, touching the heart of Su Shi, who then wields his brush on bamboo and silk to compose the "Ode to the Red Cliff", leaving an eternal legacy. This ode depicts the Red Cliff, the bright moon, and a philosophical attitude towards life.
Su Shi's handwritten "Ode to the Red Cliff" still exists in the Taipei National Palace Museum, but many works by other masters have long been lost. For example, the loss of the "Preface to the Orchid Pavilion", leaving future generations with endless admiration and a thirst to learn from the divine aura of the masters.
Similarly, the peeling and damage to ancient ironware and inscriptions await efforts from later generations to restore and revive them, allowing these classic works to regain their vigor and sharpness.
The beauty of mountains and rivers, the ancient and modern, is uniquely and romantically interpreted by calligraphers and painters. Pursuing the agility of mountains and waters, the lifelikeness of ancient classics, while embracing contemporary styles, leads to innovation.
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